Venezuelan cuatro player at Eswatini cattle ranch
by Gary Reyes
Dappled sunlight falls through overhead branches, painting shifting patterns of gold and shadow across the back of a musician. He stands beside a weathered wooden gate, strumming a Venezuelan cuatro with fingers poised on the strings. The instrument's polished surface catches the filtered light, against the rough texture of the fence posts. Beyond the gate, a herd of cattle grazes in a dry, early autumn pasture under a vast, cloudless sky. The ground is dusty and scattered with fallen leaves, while the musician's shadow stretches across the gatepost, marking the precise angle of the morning sun.
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