Coping Saw in Marrakech
by Olive Conrad
Under the harsh sodium glow of a Marrakech streetlamp, a leatherworker sits cross-legged on a low wooden stool, his posture rigid with concentration. He wears a faded denim apron dusted with fine leather shavings, the fabric stiff with age and use. In his hands, he manipulates a coping saw, the metal blade catching a sharp, cold reflection against the warm, orange ambient light. Beside him rests a canvas bag spilling out spools of thread and a half-finished leather pouch, while a traditional brass tea kettle sits quietly on a nearby crate, steam rising in thin, invisible ribbons.
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