Slippers in Istanbul at Flat Noon Light
by Rhett Waters
Flat noon light bleaches the faded turquoise stucco of a Beyoğlu workshop facade, where a blacksmith’s heavy iron gate stands slightly ajar. Inside the dim entryway, a battered leather tool caddy rests on a concrete step, its metal buckles catching a sharp, cold glint of the overhead sun. Beside it, a pair of worn leather slippers lie abandoned, toes pointing inward toward the shadowed interior. The rough texture of the stone threshold contrasts with the smooth, polished wood of the caddy’s handle. A strip of red and white striped fabric hangs from a second-story window above, fluttering barely perceptibly in the stagnant heat.
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